SUMMARY
The author, a journalist and professor, observes an increase in photographers with professional gear at recent protests compared to earlier movements. While digital camera proliferation is a factor, the author suggests that photographing a protest can be an act of protest itself. In a politically charged era, documenting resistance feels important and cathartic, especially as traditional photojournalism declines.
TAKEAWAYS
Increased use of professional cameras at modern protests is noted.
Photographing protests can be considered an act of protest.
Documenting resistance is seen as cathartic and important.
Visual chroniclers are essential for movements in the absence of photojournalists.