SUMMARY
Guest camera operator Connor McCaskill shares insights from the set of the feature film 'Father Son Time,' detailing how large-scale productions differ from commercials and shorts. The specialized roles of the crew, intense budget pressures, and the need for efficient decision-making are key distinctions. During the 10-day shoot, the team swapped Sony FX6s for FX3s to utilize active stabilization due to rough road conditions, demonstrating on-the-fly problem-solving. Director Josh Long structured the script for efficiency, minimizing setup times and overtime costs, while AI-generated storyboards aided pre-visualization.
TAKEAWAYS
Feature film sets have highly specialized crew roles and operate on a different scale than smaller productions.
Budget pressure and overtime math significantly influence decision-making and efficiency on set.
Gear choices, like swapping cameras for stabilization, are made rapidly to keep the shoot on schedule.
Efficient scriptwriting and extensive pre-production are crucial for managing costs and time.