SUMMARY
The Nikon ZR cinema camera, priced at $2,200, records 6K internal raw with multiple codec options, including RED RAW and ProRes RAW. This aggressively undercuts the Sony FX5, but the ZR's minimal compression leads to massive file sizes, requiring frequent storage upgrades. In contrast, the Sony FX5 uses more efficient compression for its X-OCN raw, fitting onto smaller cards and potentially offering a lower total cost of ownership despite its higher initial price. While the ZR boasts advantages like 32-bit float audio and 6K resolution, the FX5 provides better ergonomics, low-light performance, and more flexible non-raw codecs.
TAKEAWAYS
Nikon ZR's $2,200 price undercuts Sony FX5, offering 6K internal raw.
ZR's uncompressed raw files create significant storage costs, unlike FX5's efficient compression.
True camera cost depends on storage needs, influenced by codec and compression.
FX5 offers better ergonomics and codec flexibility, while ZR excels in raw options and audio.