SUMMARY
A new exhibition at New York's Grolier Club showcases the work of photographer Henry Wessel, including his innovative technique of photographing traffic and drivers one-handed through his car's windshield during his commute. This method, developed in the early Eighties, formed the basis for his influential portfolios 'Incidents' and 'Traffic'. The exhibition also features his earlier work, like the MoMA-selected 'Untitled (1968)', his color project 'Real Estate', and his 'Night Walk' series, placing his contributions alongside those of photographers who inspired him and his contemporaries.
TAKEAWAYS
Henry Wessel photographed traffic one-handed from his car windshield.
This technique resulted in the portfolios 'Incidents' and 'Traffic'.
A New York exhibition features his work across four decades.
His early work was recognized by MoMA and included in influential books.