SUMMARY
Photographer Mike Amarico shares his detailed Lightroom workflow for car photography, which often involves culling between 1,000 to 2,000 frames. He prioritizes manual culling in the field over software assistance, rating and labeling images to narrow down keepers. Amarico highlights the tone curve as the foundational element of his editing, followed by specific treatments for RGB channels to control color shifts. Masking is applied strategically to enhance existing light, and Denoise is used as a final step before export, requiring mask updates.
TAKEAWAYS
Culling thousands of car photos is done manually in the field before importing into Lightroom.
Tone curves are the primary adjustment, shaping the image's foundation before other edits.
RGB channel curves are adjusted to control color shifts while preserving overall contrast.
Denoise is applied last, with masks updated before final export.