SUMMARY
Photographer Jesse Senko challenges the myth that shooting film automatically leads to greater intentionality. He posits that the perceived discipline of film photography stems from its higher cost, which creates financial pressure rather than artistic virtue. Senko uses personal anecdotes and analogies, like comparing film limitations to Mad Libs for writing, to illustrate that genuine creative intent is an internal quality. He emphasizes that both film and digital mediums are powerful tools, and their effectiveness depends on the photographer's clear vision and understanding of their message.
TAKEAWAYS
Shooting film does not inherently make a photographer more intentional.
The intentionality often attributed to film is a response to its higher cost and financial stakes.
True creative intent originates from the photographer, not from the limitations of the medium.
Both film and digital photography are effective tools when guided by a clear artistic vision.